Adhyay 1 • Shlok 159

चौ0—गUरि गUर बिमय„ ˇर्म रिि नागUीउ । िे नर िग¡U सपनेगय¡U न¤गU `ागUीउ॥ िेगिU »िरि पर बंU बिंUप बिसाला । निि नŒिन सयंदर सब काला॥ 1॥ ˜िाबिˇ समीर सयसीिलि छाया । सिव बिŸाम बिंUप Ÿायिि »ाया॥ ०क बार िेगिU िर पýभय »य“र । िLर बिलôकि 'Uर ुिि सय„य भय“र॥ 2॥ नि` कर ˙Uासि ना»रिपय छाला । बा˘ेU सगU`¤गU संभय कहरपाला॥ कयंरद §ंदय दर »ौर सरीरा । भय` पýलंब परिˇन मयनिचीरा॥ 3॥ िLरन ुLरन ुंबय` सम चरना । न„ दयिि भ»ि NUदय िम गUरना॥ भय`» भŒिि भŒान ˜िापयरारी । ुाननय सरद चंद छबि गUारी॥ 4॥

Roman Transliteration (IAST)

hari hara bimukha dharma rati nŒhī ¡, te nara tah~a ¡ sapanehu ¡ nahiò jŒhī ¡. tehi giri para ba¢a bi¢apa bisŒlŒ, nita nµutana sundara saba kŒlŒ.1. tribidha samīra susītali chŒyŒ, siva biśrŒma bi¢apa śruti gŒyŒ. eka bŒra tehi tara prabhu gayaµu, taru biloki ura ati sukhu bhayaµu.2. nija kara ḍŒsi nŒgaripu chŒlŒ, bai¢he sahajahi ò sambhu kṛpŒlŒ. kunda indu dara gaura sarīrŒ, bhuja pralamba paridhana municīrŒ.3. taruna aruna ambuja sama caranŒ, nakha duti bhagata hṛdaya tama haranŒ. bhujaga bhµuti bhµuṣana tripurŒrī, Œnanu sarada canda chabi hŒrī.4.

Translations

English Translations 1
Gita Press English

Those who have their faces turned away from Hari and Hara and have no love for righteousness cannot even dream of going there. On the summit of that mountain exists a huge banyan tree, which is ever young and is charming during all seasons. Fanned by cool, soft and fragrant breezes, its shade is very refreshing. It is the favourite resort of Ýiva, extolled by the Vedas. Once upon a time the Lord betook Himself beneath the tree and was much gladdened at heart to see it. Spreading His tigerskin on the ground with His own hands, the all-merciful Ýiva sat down casually. His body fair in hue as the jasmine, the moon and the conch-shell; arms of inordinate length; a hermit’s covering, consisting of the bark of trees, wrapped round His loins; His feet resembling a pair of full-blown red lotuses and their toe-nails shedding a lustre which dispelled the darkness of the devotee’s heart; serpents and the ashes serving as ornaments of the Slayer of Tripura and His countenance eclipsing the splendour even of the autumnal full moon. (1—4)

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