Adhyay 1 • Shlok 55

चौ0—`ौउ करि कC्U `ा§ पयनि कôर्§ । `ाि¤गU नीद `य˙‚Uार्§ गUôर्§॥ `˙‚Uिा `ा˙‚ U बिाम 'Uर ला»ा। »०गय¡U न म”ान पाव ुभा»ा॥ 1॥ करि न `ा§ सर म”ान पाना । ¨िररि ुाव§ समेि ुभिमाना॥ `ौउ बगUôरि कô'U पŒछन ुावा । सर ¤नदा करि िागिU बयÛावा॥ 2॥ सकल बिघाA Žयाप¤गU न¤गU िेगUी । राम सयकहरपा¡ बिलôक¤गU `ेगUी॥ सô§ सादर सर म”ानय करर्§ । मगUा घाôर ˜ायिाप न `रर्§॥ 3॥ िे नर यगU सर ि`गिUं न का“र । `ि‹गU केउर राम चरन भल भा“र॥ `ô नगUा§ चगU ०¤गU सर भार्§ । सô सिसं» कर'U मन लार्§॥ 4॥ ुस मानस मानस च„ चागUी। भ§ कबि बय्ि बिमल ुव»ागUी॥ भय'U NUदय¡ ुानंद 'UछागŒU । 'Uम»े'U पýेम पýमôद पýबागŒU॥ 5॥ चली सयभ» कबििा सरििा सô । राम बिमल `स `ल भरििा सô॥ सर`Œ नाम सयमं»ल मŒला । लôक बेद मि मं`यल कŒरला॥ 6॥ नदी पयनीि सयमानस नंदिनि । कलिमल िहन िLर मŒल निकंरदिनि॥ 7॥

Roman Transliteration (IAST)

jau¡ kari kaṣ¢a jŒi puni koī, jŒtahi ò nīda juRŒī hoī. jaRatŒ jŒRa biṣama ura lŒgŒ, gaehu ¡ na majjana pŒva abhŒgŒ.1. kari na jŒi sara majjana pŒnŒ, phiri Œvai sameta abhimŒnŒ. jau¡ bahori kou pµuchana ŒvŒ, sara nindŒ kari tŒhi bujhŒvŒ.2. sakala bighna byŒpahi ò nahi ò tehī, rŒma sukṛpŒ ¡ bilokahi ò jehī. soi sŒdara sara majjanu karaī, mahŒ ghora trayatŒpa na jaraī.3. te nara yaha sara tajahi ò na kŒµu, jinha ke ¡ rŒma carana bhala bhŒµu. jo nahŒi caha ehi ò sara bhŒī, so satasaṅga karau mana lŒī.4. asa mŒnasa mŒnasa cakha cŒhī, bhai kabi buddhi bimala avagŒhī. bhayau hṛdaya ¡ Œnanda uchŒhµu, umageu prema pramoda prabŒhµu.5. calī subhaga kabitŒ saritŒ so, rŒma bimala jasa jala bharitŒ so. sarajµu nŒma sumaṅgala mµulŒ, loka beda mata mañjula kµulŒ.6. nadī punīta sumŒnasa nandini, kalimala tṛna taru mµula nikandini.7.

Translations

English Translations 1
Gita Press English

Even if anyone makes his way to it undergoing so much hardship, he is forthwith attacked by ague in the shape of drowsiness. Benumbing cold in the shape of stupor overtakes his heart, so that the unhappy soul is deprived of a dip even after reaching there. Finding himself unable to take a plunge into the lake or to drink from it, he returns with a feeling of pride. And if anyone comes to inquire about the lake, he tries to satisfy him by vilifying it. All these obstacles do not, however, deter him whom Ýr¶ RŒma regards with overwhelming kindness. He alone reverently bathes in the lake and thus escapes the threefold agony feet of Ýr¶ RŒma never quit this lake. Let him who would bathe in this lake, brother, diligently practise Satsa˘ga (association with saints). Having seen the said MŒnasa lake with the mind’s eye and taken a dip into it, the poet’s intellect got purged of all its dross. The heart was flooded with joy and alacrity and a torrent of love and rapture welled from it. Thence flowed a stream of beautiful poetry, carrying the water of Ýr¶ RŒma’s fair renown. Sarayµu is the name of this river, which is the very fountain of pure bliss. The secular view-point and the view-point of the Vedas—there represent its two charming banks. This holy stream, issuing as it does from the beautiful MŒnasa lake, uproots in its course all the impurities of the Kali age, whether in the form of tiny blades of grass or of mighty trees. (1—7)

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