Adhyay 1 • Shlok 53

चौ0—स# पýबंˇ सयभ» सôपाना । ‚यान नयन निर„ि मन माना॥ रघायपिि मगिUमा ु»यन ुबाˇा । बरनब सô§ बर बारि ु»ाˇा॥ 1॥ राम सीय `स सलिल सयˇासम । 'Uपमा बीचि बिलास मनôरम॥ पयर§नि सघान चाLर चौपार्§ । `य»यिि मं`य मनि सीप सयगUार्§॥ 2॥ छंUद सôर˘Uा सयंदर दôगUा। सô§ बगयUरंU» कमल कयरल सôगUा॥ ुरथ ुनŒप सयभाव सयभासा । सô§ परा» मकरंUद सयबासा॥ 3॥ सयकहरि पंय` मं`यल ुलिमाला। ‚यान बिरा» बिचार मराला॥ ˇयनि ुवरेUब कबिि »यन `ािी। मीन मनôगUर िे बगयUभा¡िी॥ 4॥ ुरथ ˇरम कामादिक चारी । कगUब ‚यान बि‚यान बिचारी॥ नव रस `प िप `ô» बिरा»ा । िे सब `लचर चाLर ि˙‚Uा»ा॥ 5॥ सयकहरिी साˇय नाम »यन»ाना । िे बिचि˜ा `ल बिगU» समाना॥ संिसभा चगय¡U दिसि ुव¡रार्§ । Ÿा्ा रििय बसंि सम »ार्§॥ 6॥ भ»िि निरूरपन बिबिˇ बिˇाना । छमा दया दम लिा बििाना॥ सम `म नियम ¨Œरल ¨रल ‚याना। गUरि पद रिि रस बेद ब„ाना॥ 7॥ ुौर'U कथा ुनेक पýसं»ा । िे§ सयक पिक बगयUबरन बिगंU»ा॥ 8॥

Roman Transliteration (IAST)

sapta prabandha subhaga sopŒnŒ, gyŒna nayana nirakhata mana mŒnŒ. raghupati mahimŒ aguna abŒdhŒ, baranaba soi bara bŒri agŒdhŒ.1. rŒma sīya jasa salila sudhŒsama, upamŒ bīci bilŒsa manorama. puraini saghana cŒru caupŒī, juguti mañju mani sīpa suhŒī.2. chanda sora¢hŒ sundara dohŒ, soi bahuraṅga kamala kula sohŒ. aratha anµupa subhŒva subhŒsŒ, soi parŒga makaranda subŒsŒ.3. sukṛta puñja mañjula ali mŒlŒ, gyŒna birŒga bicŒra marŒlŒ. dhuni avareba kabita guna jŒtī, mīna manohara te bahubhŒ ¡tī.4. aratha dharama kŒmŒdika cŒrī, kahaba gyŒna bigyŒna bicŒrī. nava rasa japa tapa joga birŒgŒ, te saba jalacara cŒru taRŒgŒ.5. sukṛtī sŒdhu nŒma guna gŒnŒ, te bicitra jala bihaga samŒnŒ. santasabhŒ cah~~u . disi ava ¡ rŒī, śraddhŒ ritu basanta sama gŒī.6. bhagati nirµupana bibidha bidhŒnŒ, chamŒ dayŒ dama latŒ bitŒnŒ. sama jama niyama phµula phalagyŒnŒ, hari pada rati rasa beda bakhŒnŒ.7. aurau kathŒ aneka prasaṅgŒ, tei suka pika bahubarana bihaṅgŒ.8.

Translations

English Translations 1
Gita Press English

The seven Books are the seven beautiful flights of steps, which the soul delights to look upon with the eyes of wisdom; the unqualified and unbounded greatness of Ýr¶ RŒma, which will be presently discussed, represents the unfathomable, depth of this holy water. The glory of Ýr¶ RŒma and S¶tŒ constitutes the nectarean water; the similes represent the soul-ravishing sport of its wavelets. The beautiful CaupŒ¶s represent the thick growth of lotus-plants; the various poetic devices constitute the lovely shells that yield beautiful pearls. The other metres, vi˚z., Chandas, Sora¢hŒs and DohŒs, are the cluster of charming many-coloured lotuses. The incomparable sense, the beautiful ideas and the elegant expression represent the pollen, honey and fragrance of those flowers respectively. The virtuous acts mentioned therein are the charming swarms of bees; the references to spiritual enlightenment, dispassion and reason represent the swan. The implications and involutions and the various excellences and styles of poetry are the lovely fishes of various kinds. The four ends of human existence, viz., worldly riches religious merit, enjoyment and liberation, the reasoned exposition of JÛŒna (Knowledge of God in His absolute formless aspect) and vijÛŒna (Knowledge of qualified Divinity both with and without form), the nine sentiments of poetry, muttering of mystic formulae), austerity, Yoga (contemplative union with God) and detachment from the world—all these represent the charming aquatic creatures of this lake. Eulogies on virtuous men, pious souls and the Name of God—these correspond to water-birds of various kinds. The assemblages of saints referred to herein are the mango groves hemming the lake on all sides and piety has been likened to the vernal season. The exposition of the various types of Devotion and the references to forbearance, compassion and sense-control represent the canopies of creepers. Even so mind- control, the five Yamas or forms of self-restraint (viz., non-violence, truthfulness, non- thieving, continence and non-acquisition of property), the five Niyamas or religious vows (viz., those of external and internal purity, contentment, austerity, study of sacred books or repetition of the Divine Name and self-surrender to God) are the blossoms of these creepers; spiritual enlightenment is their fruit and loving devotion to the feet of Ýr¶ Hari constitutes the sap of this fruit of spiritual enlightenment: so declare the Vedas. The various other episodes forming part of this narrative are the birds of different colours such as the parrot and the cuckoo. (1—8)

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