छंU0—ला»े प„ारन पाय पंक` पýेम िन पयलकावली। नभ न»र »ान निसान `य ˇयनि 'Uम»ि `नय चगय¡U दिसि चली॥ `े पद सरô` मनô` ुरि 'Uर सर सदाव बिरा`गUीउ। `े सकहरि सयमिरि बिमलिा मन सकल कलि मल भा`गUीउ॥ 1॥ `े परसि मयनिबनििा लगUी »िि रगUी `ô पािकमर्§। मकरंUदय `ि‹गU कô संभय सिर सयचििा ुवˇि सयर बरनर्§॥ करि मˇयप मन मयनि `ô»ि`न `े से§ ुभिमि »िि लगाउU। िे पद प„ारि भा‚यभा`नय `नकयर `य `य सब कगाउU॥ 2॥ बर कयरु¡रि करिल `ôरि सा„ôचाLर दô'U कयरल»यर कराउUU। भयô पानि»गUनय बिलôकि बिˇि सयर मनय` मयनि ुान¡द भराउU॥ सय„मŒल दŒलगयU दे„ि दंपिि पयलक िन गयUलSयô गिUयô। करि लôक बेद बिˇानय क‹यादानय नहपभŒान कियô॥ 3॥ गिUमवंि `िमि »िरि`ा मगUेसगिU गUरिगिU Ÿाी सा»र दर्§। ििमि `नक रामगिU सिय समरपी बिSव कल कीरिि नर्§॥ Äयôउ कराU बिनय बिदेगयU कियô बिदेगयU मŒरिि साव¡रीउ। करि गUôमय बिˇिवि »ा¡˘िU `ôरी गUôन ला»ीउ भाव¡रीउ॥ 4॥ ू,
Chaṁ.: lŒge pakhŒrana pŒya paṅkaja prema tana pulakŒvalī, nabha nagara gŒna nisŒna jaya dhuni umagi janu cahu ¡ disi calī. je pada saroja manoja ari ura sara sadaiva birŒjahī ¡, je sakṛta sumirata bimalatŒ mana sakala kali mala bhŒjahī¡.1. je parasi munibanitŒ lahī gati rahī jo pŒtakamaī, makarandu jinha ko sambhu sira sucitŒ avadhi sura baranaī. kari madhupa mana muni jogijana je sei abhimata gati lahai te pada pakhŒrata bhŒgyabhŒjanu janaku jaya jaya saba kahai ò.2. 312 * ŚR’ RMACARITAMNASA* bara kua ¡ri karatala jori sŒkhocŒru dou kulagura karai ò, bhayo pŒnigahanu biloki bidhi sura manuja muni Œna ¡da bharaiò. sukhamµula dµulahu dekhi dampati pulaka tana hulasyo hiyo, kari loka beda bidhŒnu kanyŒdŒnu nṛpabhµuṣana kiyo.3. himavanta jimi girijŒ mahesahi harihi śrī sŒgara daī, timi janaka rŒmahi siya samarapī bisva kala kīrati naī. kyo¡ karai binaya bidehu kiyo bidehu mµurati sŒva ¡rī¡, kari homu bidhivata gŒ ¡¢hi jorī hona lŒgī ¡ bhŒva ¡rī¡.4.
Translations
English Translations
1
They began to love Ýr¶ RŒma’s lotus-feet; their whole frame was thrilled with emotion. The sounds of singing and kettledrums and shouts of victory in the heavens as well as in the city overflowed as it were in all direction . The lotus-feet that ever sparkle in the lake of Ýiva’s bosom, by thinking of which even for once the mind gets purified and all the impurities of the Kali age are driven away, by whose touch the sage Gautama’s wife, who was full of sin, attained salvation, whose nectar in the form of the river Ga˘gŒ adorns Ýambhu’s head and is declared by the gods as the holiest of the holy, and by resorting to which with their bee-like minds sages and mystics attain the goal of their liking, it is those very feet that the most lucky Janaka washed amidst shouts of victory from all corners. Joining the palms of the Bride and the Bridegroom, both the family priests recited the genealogy of the two families; and perceiving that the Bridegroom had accepted the Bride’s hand, BrahmŒ and the other divinities as well as men and sages were filled with delight. As the king and queen gazed on the Bridegroom, who was the very fountain of joy, the hair on their body stood erect, while their heart was filled with rapture. And having gone through all the rites sanctioned either by the Vedas or by family usage, the glorious King Janaka gave his Daughter to the Bridegroom. As HimavŒn gave away GirijŒ to the great Lord Ýiva, and the deity presiding over seas bestowed Ýr¶ on Hari, so did Janaka give S¶tŒ to RŒma and thereby earned fair renown of an unprecedented character. King Videha (Janaka) was unable to make any supplication, since that Prince (Ýr¶ RŒma) of swarthy complexion had justified his name (Videha) by making him forget everything about his body. When oblations had been offered to the sacred fire with due rite, the ends of garments of the Bride and the Bridegroom were tied together (as a token of their indissoluble union) and the couple began to circumambulate the fire (in order to show that the two had been united in the presence of the fire-god as a witness). (1—4)
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