Adhyay 6 • Shlok 187

चौ0—म”ा¤गU भŒि पिसाच बेिाला । पýमथ मगUा Ûाô¤ंU» कराला॥ काक कंरक ला भय`ा'U˙‚UागUीउ ।०क िे छीनि ०क ला „ागUीउ॥ 1॥ ०क कगU¤गU ०ेसि'U सौउघार्§ । स˘UगयU ियगUार दरि…ý न `ार्§॥ कग¡Uरि भंU घायल िंU »िरेU । `ग¡U िग¡U मनगय¡U ुर्ˇ`ल परेU॥ 2॥ „ंाच¤गU »ीˇ ुा¡ि िंU भ० । `नय बंसी „ेलि चिि द०॥ बगयU भंU बगU¤गU चÉ‚ेU „» `ागUीउ । `नय नावरि „ेल¤गU सरि मागUीउ॥ 3॥ `ô»िनि भरि भरि „Œपर संच¤गU । भŒि पिसाच बˇŒ नभ नंच¤गU॥ भंU कपाल करिाल ब`ाव¤गU । चामयं˙Uा नाना बिˇि »ाव¤गU॥ 4॥ `ंबयक निकर कंUPरंU क^्U¤गU । „ा¤गU गयUुा¤गU ुघा¤गU दप^्U¤गU॥ कôंिU‹गU Lंर˙U मयं˙U बिनय ˙Uô„¤गU । सीस परेU मगिU `य `य बô„¤गU॥ 5॥

Roman Transliteration (IAST)

majjahiò bhµuta pisŒca betŒlŒ, pramatha mahŒ jho¢iṅga karŒlŒ. kŒka kaṅka lai bhujŒ uRŒhī¡, eka te chīni eka lai khŒhī ¡.1. eka kahahiò aisiu sau ¡ ghŒī, sa¢hahu tumhŒra daridra na jŒī. kaha¡rata bha¢a ghŒyala ta¢a gire, jaha ¡ taha ¡ manahu ¡ ardhajala pare.2. khaiòcahiò gīdha Œ¡ta ta¢a bhae, janu baṁsī khelata cita dae. bahu bha¢a bahahi ò caRhe khaga jŒhī¡, janu nŒvari khelahi ò sari mŒhī ¡.3. jogini bhari bhari khappara sañcahi ò, bhµuta pisŒca badhµu nabha nañcahi ò. bha¢a kapŒla karatŒla bajŒvahiò, cŒmuṁḍŒ nŒnŒ bidhi gŒvahi ò.4. jambuka nikara ka¢akka¢a ka¢¢ahiò, khŒhi ò huŒhi ò aghŒhi ò dapa¢¢ahi ò. ko¢inha ruṁḍa muṁḍa binu ḍollahi ò, sīsa pare mahi jaya jaya bollahi ò.5.

Translations

English Translations 1
Gita Press English

Spirits, ghouls and goblins and even so frightful genii with a long shaggy mass of hair and Pramathas (Ýiva’s own attendants) took their plunge in it. Crows and kites flew off with human arms, which they tore from one another and ate themselves. Some said, “What a pity, fools that you should continue to suffer from want even in such plenty?” Wounded warriors fallen on the banks groaned like the moribund lying all round half in and half out of water (on the bank of a sacred river, lake etc., in order to ensure that they may breathe their last while their body is being washed by the sacred water since such a death is accounted as highly beneficial to the spirit of the dying man). Standing on its banks, vultures tore the entrails of the dead like fishermen angling with rapt attention. Many a dead warrior floated down with birds perched on them, as if the latter were enjoying a game of boating on the river. The Yogin¶s (female attendants of Goddess DurgŒ) took to storing blood in skulls, while female spirits and sprites danced in the air. Even so CŒmu˜˛Œs (another class of female attendants of DurgŒ) sang songs in various strains, clashing the skulls of dead warriors like so many pairs of cymbals. Herds of Jackals snapped their teeth as they tore the dead, feasted upon them and yelled; and, when surfeited, they snarled. Myriads of headless trunks trotted along the battlefield, while the heads lying on the ground shouted “Victory! Victory!!” (1—5)

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